Heidi Klum & Gisele Bundchen in the July/August issue of GQ Russia magazine

GQ Russia magazine

They?re both easy on the eyes, and Heidi Klum and Gisele Bundchen are featured in the July/August issue of GQ Russia magazine. The ?Project Runway? stunner appears on the cover, looking super sexy as she covers her topless torso with her hands. Meanwhile, Ms. Bundchen goes for the birthday suit look inside the issue, maintaining her modesty with a strategic pose. Additionally, Gisele is on four different covers of the July issue of Vogue Brazil magazine, showing her impressive modeling range. [gallery=762]

Source: http://www.celebritygossiphollywood.com/models/heid-klum/heidi-klum-gisele-bundchen-in-the-julyaugust-issue-of-gq-russia-magazine/

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'Captain America: The First Avenger': The Reviews Are In!

Film should give 'Harry Potter' a run for its money this weekend.
By Josh Wigler


Chris Evans in "Captain America: The First Avenger"
Photo: Paramount Pictures

The summer of superheroes rages on this weekend with the theatrical release of "Captain America: The First Avenger." It's the final building block audiences need before the full picture of Joss Whedon's "The Avengers" comes into focus this summer, and by all accounts, the movie does not disappoint. Sporting a fresh rating at review aggregate Rotten Tomatoes, both comic book fans and casual moviegoers alike are feeling the patriotic splendor that Cap has to offer, so "Harry Potter" better watch out: Steve Rogers' mighty shield could very will split the Boy Who Lived's wand in half this weekend!

Read on for a selection of the "Cap" reviews currently rocking the Web, and check out our own "Captain America" review on Splash Page. And if the star-spangled superhero spirit moves you, give us your own reviews in the comments section below.

The Story
"It was a pleasure to realize, once 'Captain America: The First Avenger' got under way, that hey, here is a real movie, not a noisy assembly of incomprehensible special effects. Of course it's loaded with CGI. It goes without saying it's preposterous. But it has the texture and takes the care to be a full-blown film. You know, like with a hero we care about and who has some dimension. And with weight to the story. As we plunge ahead into a limitless future of comic-book movies, let this be an inspiration rather than Thor or Green Lantern. " — Roger Ebert, Chicago Sun-Times

The Hero
"As the titular comic book character, Chris Evans has an appealing, earnest quality, whether he's playing the digitally enhanced (reduced?) scrawny Steve Rogers or the well-muscled super-soldier dubbed Captain America. Evans provides just the right human anchor to the flash and dazzle of director Joe Johnston's production. The movie wouldn't work without Evans' likability and the sense of integrity he projects, as well as his all-American good looks." — Claudia Puig, USA Today

The Villain
"Then there's Hugo Weaving as Captain America's nemesis, Red Skull — a role that requires delivering a genuine performance from behind grotesque crimson prosthetics, which Weaving accomplishes with admirable dexterity. In fact, everyone hits their marks with energy and finesse in 'Captain America,' which with its clean, Art Deco lines and sprightly spirit exemplifies why comic book movies are such reliable fodder for Hollywood. They come pre-storyboarded, after all; their gadgets, dinguses and doo-dads are a production artist's dream, just as those tights, capes and masks must provide fetishistic frissons for the most on-trend costume designer." — Ann Hornaday, The Washington Post

The Action
"A chase and shoot-out in a 'Dick Tracy' version of New York is one of the most thrilling scenes of the summer movie season, yet this generous film keeps the popcorn popping for two full hours. It's got musical numbers, as Rogers is costumed as Captain America and sent on a war-bonds tour; it's got a prison break, as the touring celebrity frees some multicultural P.O.W.s from the Nazis, and it's got a mythic smackdown, as Captain America squares off against Germanic evil genius Johann Schmidt (the hugely entertaining Hugo Weaving, mimicking documentarian Werner Herzog)." — Joe Williams, St. Louis Post-Dispatch

The Setting
"Though it begins and ends with a scene or two in the present, as directed by Joe Johnston from a screenplay by Christopher Markus and Stephen McFeely, 'Captain America' is first and foremost an origins story. Almost half of the film's running time elapses before Rogers gets any kind of power at all, and though its elements are awfully familiar, it's the most involving part of the film because it takes advantage of Evans' performance. These early-days sections are so old-fashioned that, if you take away the copious special effects, watching 'Captain America' feels akin to watching the venerable 1950s television version of 'Superman' starring George Reeves. Buttons are pushed, dials are turned, secret passwords are uttered and lights blink, just like they did way back when." — Kenneth Turan, Los Angeles Times Check out everything we've got on "Captain America: The First Avenger."

For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.

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Source: http://www.mtv.com/news/articles/1667780/captain-america-first-avenger-reviews.jhtml

Christina Ricci Chyler Leigh Ciara Cindy Crawford Cindy Taylor

Stage Collapses On Cheap Trick And Fans During Outdoor Festival

How?s this for terrifying: you?re at an outdoor music festival, and the band you?re watching is Cheap Trick. Ok, just kidding, that?s not the horrific part.  Ok, it?s not the really horrific part?now imagine that the entire gargantuan stage setup collapsing on top of the band and fans, mid-performance. So, yeah?kind of terrifying. According to [...]

Source: http://feedproxy.google.com/~r/beatcrave/~3/3c_BSBbZt3Q/

Jennifer Garner Jennifer Gimenez Jennifer Love Hewitt Jennifer Morrison Jennifer ODell

Big Brother 13, Week 3 Eviction Recap

The fur was flying on Big Brother 13 as we recap the Week 3 live Eviction Show. As posted last time when I provided spoilers, HOH Jordan had put Newbie pairing Adam and Dominic up on the chopping block. The purpose was to evict Dominic, and give Adam a Golden Key to secure his allegiance to the Returning Power Couples (RPC). But, Dominic won the Power of Veto, and thus took Adam and he off the block. Jordan and Jeff had a rough week as HOH with Rachel throwing her temper about. Image Credit: Nikki Nelson / WENN.com. During the POV challenge, Rachel had made some snide remarks about Jordan over her giving up. The object was to walk across a beam while chewing gumballs which were used to form a POV symbol. If you fell off the beam, you were out, unless you agreed to be on slop for 2 weeks. When Jordan fell off, she was going to do the slop, but her fella, Jeff, told her not to. When Rachel fell off, she did agree to be on slop but it still did her no good as she fell off a second time. So after the POV [...]

Source: http://feedproxy.google.com/~r/RightCelebrity/~3/TNnYM6vW6aM/

Christina Applegate Christina DaRe Christina Milian Christina Ricci Chyler Leigh

List of winners for 2011 Tony Awards

2011 Tony Awards

Honoring the best and brightest from the world of theatre, the winners of the 2011 Tony Awards were announced during a ceremony held at the Beacon Theatre in New York City on Sunday (June 12). With Neil Patrick Harris hosting the annual tribute to Broadway stars, the night was dominated by the religious satire musical "The Book of Mormon" - which captured nine of its pack-leading fourteen nominations. Other triumphant stage shows included Best Play winner "War Horse" along with Best Revival of a Play victor "The Normal Heart". As for the individual accolades, Mark Rylance took home the Tony for Best Performance by an Actor in a Leading Role in a Play for his work in "Jerusalem" while Frances McDormand won on the ladies side for her brilliant effort in "Good People". The Best Performance by an Actor in a Leading Role in a Musical went to "Catch Me If You Can" star Norbert Leo Butz and the Best Performance by an Actress in a Leading Role in a Musical winner ended up being Sutton Foster of "Anything Goes". The complete list of winners from the 2011 Tony Awards is as follows: Best Play Good People Author: David Lindsay-Abaire Producers: Manhattan Theatre Club, Lynne Meadow, Barry Grove Jerusalem Author: Jez Butterworth Producers: Sonia Friedman Productions, Stuart Thompson, Scott Rudin, Roger Berlind, Royal Court Theatre Productions, Beverly Bartner/Alice Tulchin, Dede Harris/Rupert Gavin, Broadway Across America, Jon B. Platt, 1001 Nights/Stephanie P. McClelland, Carole L. Haber/Richard Willis, Jacki Barlia Florin/Adam Blanshay The Motherf**ker with the Hat Author: Stephen Adly Guirgis Producers: Scott Rudin, Stuart Thompson, Public Theater Productions, Oskar Eustis, Joey Parnes, Labyrinth Theater Company, Stephen Adly Guirgis, Mimi O'Donnell, Yul Vázquez, Danny Feldman, Fabula Media Partners LLC, Jean Doumanian, Ruth Hendel, Carl Moellenberg, Jon B. Platt, Tulchin Bartner/Jamie deRoy WINNER: War Horse Author: Nick Stafford Producers: Lincoln Center Theater, André Bishop, Bernard Gersten, National Theatre of Great Britain, Nicholas Hytner, Nick Starr, Bob Boyett, War Horse LP Best Musical WINNER: The Book of Mormon Producers: Anne Garefino, Scott Rudin, Roger Berlind, Scott M. Delman, Jean Doumanian, Roy Furman, Important Musicals LLC, Stephanie P. McClelland, Kevin Morris, Jon B. Platt, Sonia Friedman Productions, Stuart Thompson Catch Me If You Can Producers: Margo Lion, Hal Luftig, Stacey Mindich, Yasuhiro Kawana, Scott & Brian Zeilinger, The Rialto Group, The Araca Group, Michael Watt, Barbara & Buddy Freitag, Jay & Cindy Gutterman/Pittsburgh CLO, Elizabeth Williams, Johnny Roscoe Productions/Van Dean, Fakston Productions/Solshay Productions, Patty Baker/Richard Winkler, Nederlander Presentations, Inc., Warren Trepp, Remmel T. Dickinson, Paula Herold/Kate Lear, Stephanie P. McClelland, Jamie deRoy, Barry Feirstein, Rainerio J. Reyes, Rodney Rigby, Loraine Boyle, Amuse Inc., Joseph & Matthew Deitch/Cathy Chernoff, Joan Stein/Jon Murray, The 5th Avenue Theatre The Scottsboro Boys Producers: Barry and Fran Weissler, Jacki Barlia Florin, Janet Pailet/Sharon A. Carr/Patricia R. Klausner, Nederlander Presentations, Inc./The Shubert Organization, Beechwood Entertainment, Broadway Across America, Mark Zimmerman, Adam Blanshay/R2D2 Productions, Rick Danzansky/Barry Tatelman, Bruce Robert Harris/Jack W. Batman, Allen Spivak/Jerry Frankel, Bard Theatricals/Probo Productions/Randy Donaldson, Catherine Schreiber/Michael Palitz/Patti Laskawy, Vineyard Theatre Sister Act Producers: Whoopi Goldberg & Stage Entertainment, The Shubert Organization and Disney Theatrical Productions Best Book of a Musical Bloody Bloody Andrew Jackson Alex Timbers WINNER: The Book of Mormon Trey Parker, Robert Lopez and Matt Stone The Scottsboro Boys David Thompson Sister Act Cheri Steinkellner, Bill Steinkellner and Douglas Carter Beane Best Original Score (Music and/or Lyrics) Written for the Theatre WINNER: The Book of Mormon Music & Lyrics: Trey Parker, Robert Lopez and Matt Stone The Scottsboro Boys Music & Lyrics: John Kander & Fred Ebb Sister Act Music: Alan Menken Lyrics: Glenn Slater Women on the Verge of a Nervous Breakdown Music & Lyrics: David Yazbek Best Revival of a Play Arcadia Producers: Sonia Friedman Productions, Roger Berlind, Stephanie P. McClelland, Scott M. Delman, Nicholas Quinn Rosenkranz, Disney Theatrical Group, Robert G. Bartner, Olympus Theatricals, Douglas Smith, Janine Safer Whitney The Importance of Being Earnest Producers: Roundabout Theatre Company, Todd Haimes, Harold Wolpert, Julia C. Levy The Merchant of Venice Producers: The Public Theater, Oskar Eustis, Andrew D. Hamingson, Jeffrey Richards, Jerry Frankel, Debbie Bisno & Eva Price, Amy Nederlander, Jonathan First, Stewart F. Lane & Bonnie Comley, Universal Pictures Stage Productions, Merritt Forrest Baer, The Araca Group, Broadway Across America, Joseph & Matthew Deitch, JK Productions, Terry Allen Kramer, Cathy Chernoff/Jay & Cindy Gutterman, Mallory Factor/Cheryl Lachowicz, Joey Parnes, The Shubert Organization WINNER: The Normal Heart Producers: Daryl Roth, Paul Boskind, Martian Entertainment, Gregory Rae, Jayne Baron Sherman/Alexander Fraser Best Revival of a Musical WINNER: Anything Goes Producers: Roundabout Theatre Company, Todd Haimes, Harold Wolpert, Julia C. Levy How to Succeed in Business Without Really Trying Producers: Broadway Across America, Craig Zadan, Neil Meron, Joseph Smith, Michael McCabe, Candy Spelling, Takonkiet Viravan/Scenario Thailand, Hilary A. Williams, Jen Namoff/Fakston Productions, Two Left Feet Productions/Power Arts, Hop Theatricals, LLC/Paul Chau/Daniel Frishwasser/Michael Jackowitz, Michael Speyer-Bernie Abrams/Jacki Barlia Florin-Adam Blanshay/Arlene Scanlan/TBS Service Best Performance by an Actor in a Leading Role in a Play Brian Bedford, The Importance of Being Earnest Bobby Cannavale, The Motherf**ker with the Hat Joe Mantello, The Normal Heart Al Pacino, The Merchant of Venice WINNER: Mark Rylance, Jerusalem Best Performance by an Actress in a Leading Role in a Play Nina Arianda, Born Yesterday WINNER: Frances McDormand, Good People Lily Rabe, The Merchant of Venice Vanessa Redgrave, Driving Miss Daisy Hannah Yelland, Brief Encounter Best Performance by an Actor in a Leading Role in a Musical WINNER: Norbert Leo Butz, Catch Me If You Can Josh Gad, The Book of Mormon Joshua Henry, The Scottsboro Boys Andrew Rannells, The Book of Mormon Tony Sheldon, Priscilla Queen of the Desert Best Performance by an Actress in a Leading Role in a Musical WINNER: Sutton Foster, Anything Goes Beth Leavel, Baby It's You! Patina Miller, Sister Act Donna Murphy, The People in the Picture Best Performance by an Actor in a Featured Role in a Play Mackenzie Crook, Jerusalem Billy Crudup, Arcadia WINNER: John Benjamin Hickey, The Normal Heart Arian Moayed, Bengal Tiger at the Baghdad Zoo Yul Vázquez, The Motherf**ker with the Hat Best Performance by an Actress in a Featured Role in a Play WINNER: Ellen Barkin, The Normal Heart Edie Falco, The House of Blue Leaves Judith Light, Lombardi Joanna Lumley, La Bęte Elizabeth Rodriguez, The Motherf**ker with the Hat Best Performance by an Actor in a Featured Role in a Musical Colman Domingo, The Scottsboro Boys Adam Godley, Anything Goes WINNER: John Larroquette, How to Succeed in Business Without Really Trying Forrest McClendon, The Scottsboro Boys Rory O'Malley, The Book of Mormon Best Performance by an Actress in a Featured Role in a Musical Laura Benanti, Women on the Verge of a Nervous Breakdown Tammy Blanchard, How to Succeed in Business Without Really Trying Victoria Clark, Sister Act WINNER: Nikki M. James, The Book of Mormon Patti LuPone, Women on the Verge of a Nervous Breakdown Best Scenic Design of a Play Todd Rosenthal, The Motherf**ker with the Hat WINNER: Rae Smith, War Horse Ultz, Jerusalem Mark Wendland, The Merchant of Venice Best Scenic Design of a Musical Beowulf Boritt, The Scottsboro Boys Derek McLane, Anything Goes WINNER: Scott Pask, The Book of Mormon Donyale Werle, Bloody Bloody Andrew Jackson Best Costume Design of a Play Jess Goldstein, The Merchant of Venice WINNER: Desmond Heeley, The Importance of Being Earnest Mark Thompson, La Bęte Catherine Zuber, Born Yesterday Best Costume Design of a Musical WINNER: Tim Chappel & Lizzy Gardiner, Priscilla Queen of the Desert Martin Pakledinaz, Anything Goes Ann Roth, The Book of Mormon Catherine Zuber, How to Succeed in Business Without Really Trying Best Lighting Design of a Play WINNER: Paule Constable, War Horse David Lander, Bengal Tiger at the Baghdad Zoo Kenneth Posner, The Merchant of Venice Mimi Jordan Sherin, Jerusalem Best Lighting Design of a Musical Ken Billington, The Scottsboro Boys Howell Binkley, How to Succeed in Business Without Really Trying Peter Kaczorowski, Anything Goes WINNER: Brian MacDevitt, The Book of Mormon Best Sound Design of a Play Acme Sound Partners and Cricket S. Myers, Bengal Tiger at the Baghdad Zoo Simon Baker, Brief Encounter Ian Dickinson for Autograph, Jerusalem WINNER: Christopher Shutt, War Horse Best Sound Design of a Musical Peter Hylenski, The Scottsboro Boys Steve Canyon Kennedy, Catch Me If You Can Brian Ronan, Anything Goes WINNER: Brian Ronan, The Book of Mormon Best Direction of a Play WINNER: Marianne Elliott and Tom Morris, War Horse Joel Grey & George C. Wolfe, The Normal Heart Anna D. Shapiro, The Motherf**ker with the Hat Daniel Sullivan, The Merchant of Venice Best Direction of a Musical Rob Ashford, How to Succeed in Business Without Really Trying Kathleen Marshall, Anything Goes WINNER: Casey Nicholaw and Trey Parker, The Book of Mormon Susan Stroman, The Scottsboro Boys Best Choreography Rob Ashford, How to Succeed in Business Without Really Trying WINNER: Kathleen Marshall, Anything Goes Casey Nicholaw, The Book of Mormon Susan Stroman, The Scottsboro Boys Best Orchestrations Doug Besterman, How to Succeed in Business Without Really Trying Larry Hochman, The Scottsboro Boys WINNER: Larry Hochman & Stephen Oremus, The Book of Mormon Marc Shaiman & Larry Blank, Catch Me If You Can Recipients of Awards and Honors in Non-competitive Categories Special Tony Award for Lifetime Achievement in the Theatre Athol Fugard Philip J. Smith Regional Theatre Tony Award Lookingglass Theatre Company (Chicago, Ill.) Isabelle Stevenson Award Eve Ensler Special Tony Award Handspring Puppet Company Tony Honor for Excellence in the Theatre William Berloni The Drama Book Shop Sharon Jensen and Alliance for Inclusion in the Arts [gallery=756]

Source: http://www.celebritygossiphollywood.com/general/red-carpet-general/list-of-winners-for-2011-tony-awards/

Brittny Gastineau Brody Dalle Brooke Burke Brooke Burns Busy Philipps

The Sammus Theory: BeatCrave Fav

If you like hard, screaming metal with all the emotion you can swallow, then it’s safe to say that The Sammus Theory is for you. Don’t let their polished sound ‘fool’ you; this five-piece rock outfit from Chandler, Arizona, does more than talk the talk and dress the part. We particularly enjoy that in their [...]

Source: http://feedproxy.google.com/~r/beatcrave/~3/boi45Ffcls0/

Giulianna Ramirez Grace Park Gretha Cavazzoni Gwen Stefani Halle Berry

Jenna Fischer Interview for A Little Help

Jenna Fischer Interview for A Little Help

Jenna Fischer is an uber-planner. "I like things like five-year plans and Excel spreadsheets," she admits to iVillage. But the pregnant actress is preparing to "expect the unexpected" when it comes to motherhood.

And The Office star, who’s expecting her first child -- a boy! -- with husband Lee Kirk (the couple married in July 2010), has had a great sounding board in best pal and iVillage celebrity blogger Angela Kinsey. "I think she’s just really excited because we’ve been best friends for so long and now we’ll have this very big thing in common that we didn’t have in common before," says the 37-year-old actress of her sitcom costar.

Fischer also welcomed the challenge of playing a "hot mess" mother of a 12-year-old son in the indie comedy-drama A Little Help (in theaters July 22), which costars Chris O’Donnell as her philandering husband who dies. "She’s your friend that is calling you every three days with some new drama that you feel like you could have anticipated with just five minutes of thought," she explains about her dental-hygienist character, who gets caught in a web of lies.

iVillage chatted recently with Fischer about why she loved -- and ultimately hated -- letting herself go for A Little Help, how she’s still in denial about Steve Carell leaving The Office and what she can’t wait for about parenthood.

What's getting you most excited about becoming a mom?
I think I’m just excited about becoming a family -- going from just being with me and my husband to being a family together. But everything about it is just so unexpected and daunting. I’ve spent a lot of time with little kids and my friends who have little kids but I think it’s just different when it’s your own, so I’m just expecting the expecting the unexpected, basically.

In A Little Help, you play the mother of a 12-year-old. Did dealing with a surly pre-teen character make you nervous at all about what’s ahead?
We shot this movie two years ago so I wasn’t relating any of my experience on this movie to my real life because my life was in a different place at that time. I will say that when I first read the script, my first thought was, “Oh, no one’s going to believe I have a 12-year-old. I’m too young to have a 12-year-old.” I actually think that my shock at believing that I could have a 12-year-old is similar to my character’s shock at believing she has a 12-year-old. So I kind of played with my lack of knowledge as a mother at the time of shooting this movie because it really fit the character.

The movie is a dramatic departure in a lot of ways for you.
I was most interested in playing this character because she was so different from me personally. I’m very thoughtful about choices I make in my life and this character is very impulsive and she never thinks beyond the moment. She lies to get herself out of trouble, which only gets her into more trouble later. I had to really let go of all of my typical ways of thinking and doing things in order to play this character. It was kind of fun to be impulsive. She’s kind of a trainwreck, she’s kind of a hot mess.

Was it liberating for you to play her?
It really was. Also, they talk about the character has kind of let herself go from the time that her husband met her. One of the things that always annoys me is when you watch these movies with these actresses who are supposed to be frumpy or not in shape, and then they wear a tank top with ripped triceps or something. I thought, “Okay, well I’m going to stop going to the gym,” and I ate a lot of pasta, and I just tried to make my body very soft. I gained about 10 to 15 lbs. for the role. That was really fun at first to not exercise, to eat pasta, to drink as much wine as I wanted with dinner. But by the end of the movie I did not feel good. When we got done shooting, I couldn’t wait to just get back into a fitness routine again. I was telling my friend that at the end of this movie I felt like I had to do the equivalent of wringing out a dirty washcloth. It was just gross.

Your pregnancy is being written into The Office. Can you give us a hint how it’s going to be worked in?
All I know is that the storyline (is) that while Jim (played by John Krasinski) and Pam might be careful at home, they snuck away in the office to have a little office hookup. During the episode titled “PDA” last year, it’s revealed that everyone’s had sex in the office except Jim and Pam. We sort of imply that they got a little frisky. It turns out that that frisky session was successful in conceiving their next baby.

Are you excited for James Spader to join the cast?
I didn’t have any scenes with him, so I haven’t had the opportunity to work with him yet. I’m actually really excited, selfishly, that he’s going to be coming back because I know that here will be some storylines that Pam has with his character going forward. I’m not allowed to reveal but they did tell me a couple things that are in store and it sounds like a lot of fun.

You’ve said in the past that you were kind of in denial about Steve Carell leaving the show.
I think it’s going to have its biggest impact when we go back to work now, because at the end of the season last year, a lot of times Steve would leave early to go do a movie. It was really common for us to do a couple of episodes without him around. I’m not sure if I’m out of my denial quite yet, (so) it will be interesting to see what that will be like. Our schedules were the same in the mornings, so I would see him a lot first thing in the morning and we would talk. I’m going to really miss our morning chat.

Last year when Steve announced that he’d be leaving the show, at iVillage we started a Facebook campaign to get Pam promoted. What do you think of that idea?
Ohhh, amazing! I don’t know if she’s a great candidate for manager right now, but it would be really neat if we could see her excel at something. I’m really hoping that at some point, she finds something that just makes her special because I think her whole life she’s really wanted that.

Serena Kappes is iVillage's Entertainment Editorial Director. Follow her on Twitter: @serenakappes

Source: http://www.ivillage.com/jenna-fischer-interview-little-help/1-a-366437

Danneel Harris Deanna Russo Denise Richards Desiree Dymond Diane Kruger